***Registration deadline: 11th November***
#BritLit24: Jam Yesterday, Tomorrow and Today: New Adventures in Subjectivity
British Council Literature Seminar, 14–16 November 2024 at Colonia Nova, Berlin
Calling all literature lovers!
Now in its 38th year, the British Council Literature Seminar offers a unique opportunity for literature professionals, academics, students, and literature enthusiasts to engage directly with UK writers. Join us for a feast of workshops, panel discussions and exclusive readings over 2.5 days with some of the UK's brightest writing talents, as well as the chance to exchange over refreshments with peers working in the sector. This year, five of the UK's prestigious Granta Magazine's 'Best of Young British Novelists' will explore the latest in contemporary fiction.
We are thrilled to present a seminar celebrating five of Granta magazine's Best of Young British Novelists 2023 this year. Renowned writer and member of the jury Helen Oyeyemi will chair the event. It is a great honour that Sarah Bernstein, Eliza Clark, Camilla Grudova, K Patrick and Eley Williams have accepted our invitation to participate in the seminar. You can learn more about the authors below.
More details
The seminar will be held at Colonia Nova, Thiemannstraße 1/Tor 4, 12059 Berlin. It will start with an opening reading at 7:30 p.m. on Thursday, 14 November, and finish at 1 p.m. on Saturday, 16 November.
The seminar will consist of author readings, panel discussions, and workshops with the participating writers. The full seminar schedule is attached below.
Seminar Packages
Complete Seminar ‒ total price (€95.00)
Complete Seminar ‒ reduced price for students and disabled participants (€45.00)
Journalists interested in covering the event can send their accreditation requests to press@britishcouncil.de.
Students will be asked to present a valid student ID on registration.
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If you are unable to attend the whole seminar, you are welcome to join us for two free public readings at Colonia Nova:
- Thursday 14th November, 19:30-21:00 followed by a drinks reception - Helen Oyeyemi reading and in conversation with Thomas Meaney
- Friday 15th November, 19:30-21:00 - Eley Williams reading and in conversation with Jonathan Garfinkel
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For those joining us internationally, we are delighted to announce that we will be live-streaming two panel discussions during the Seminar.
- Panel Discussion 1: ‘Microscope’ chaired by Helen Oyeyemi on Friday, 15 November, 11.30 CET. With Sarah Bernstein, Eliza Clark, Camilla Grudova, K Patrick and Eley Williams. Description: On beginnings. Starting out as fiction writers: what sparked the desire to begin writing, what kind of inspiration took hold and what kind of culture do you consume that feeds that? In writing itself: how, where and in what manner do you establish perspective to begin a piece. Expect: a discussion on establishing (or discovering) perspectives that generate imaginary exchanges.
- Panel Discussion 2: ‘Telescope’ chaired by Helen Oyeyemi on Saturday, 16 November, 11.30 CET. With Sarah Bernstein, Eliza Clark, Camilla Grudova, K Patrick and Eley Williams. Description: On keeping going. How does one sustain the early momentum as a young novelist? How do you negotiate crossing the boundaries from the personal, and relying on one’s own experiences, into the impersonal, and developing narratives that might not be based in familiarity. Expect: observations and insights into the establishment of a literary sensibility, and how an author might direct that once it has hatched.
Register now for the live-streams!
Prose has personality ‒ that fact has been visible since the earliest imaginative works enacted in text. The novelty and exhilarative quality of the writing this seminar seeks to highlight lies in the immediacy with which some of our best contemporary writers engage us in altercations with the dividing lines between our interior lives and exterior existence. The enigmatic twinkle in a narrative’s eye and the startling particularity of its descriptive decisions: these, too, act as characters in the story being told. Plus, their effect on a reader’s imaginative capacities leads to a superabundance of conceptual fruit that puts jam on the menu for generations.
Helen Oyeyemi, Chair